Classical Music, Why Bother?: Hearing the World of Contemporary Culture Through a Composers Ears

Melvil Decimal System: 781.68
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When I was young, after gaining some piano proficiency, my mother told me the story her piano teacher told her about that particular work when she was first introduced to it. When Chopin wrote that piece, he was on the tropical island of Majorca, delirious with fever.

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You can download and read online Classical Music, Why Bother? Christopher Norris ed. Paperback , pages. You are commenting using your WordPress. Convergence of calls as animals form social bonds, active compensation for noisy communication channels, and the evolution of vocal learning in mammals. Like an intuition or a reflex, it has an immediacy to it, and in that way it feels like an active interplay between unconscious and conscious experience. Post a Review.

The raindrops were ever present the theme in the left hand throughout the piece. At one point, he hallucinated a ghost army coming to attack him. The music tells this story very dramatically starting peacefully in a gentle theme in Db Major, the raindrops in the background. After this gentle shower, the music changes.

It shifts into C minor, and the tone turns very menacing and deep.

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It crescendos to a crushing attack, recedes, and attacks again in a grand fortissimo. A battle ensues, until, eventually, the ghosts leave. The key returns to Db Major, and the opening theme reasserts itself in a gentle recapitulation that slows, decrescendos, and eventually fades out to a pianissimo chord sounding the final raindrop. To this day, playing that piece brings me sweet memories of my mother.

How do you create music?

That is perhaps one of the most compelling benefits of classical music — because of its repeatability, it can reliably trigger memories for many people. The point is that within the realm of classical music, almost every style shows up at some point. Unlike unwritten folk, jazz, rock, or countless other genres, if the music is part of the classical genre, it is written down, note-by-note, instrument-by-instrument, captured for our enjoyment and our benefit through the ages.

Leonard Bernstein describes the difference between classical music and any other genre thus:. References: Classical Music, Why Bother?

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